Skip to content
Home
Favourites
0
Advanced search
Shopping cart
0
Register
Log in
Images of Edinburgh
Browse map
Area A - Z
Browse by date
Exhibitions
Current exhibition
All exhibitions
Collections
About the collections
Browse by theme
Subject A - Z
The image library for the collections of Edinburgh Libraries and Museums and Galleries
Images of Edinburgh
Browse map
Area A - Z
Browse by date
Exhibitions
Current exhibition
All exhibitions
Collections
About the collections
Browse by theme
Subject A - Z
Subject = "Asia"
Back to search results
San no Torii, Tsurugaoka Hachiman Shrine in Kamakura
von Stillfried-Ratenicz, Franz, 1881, Photograph
Item
of 439
San no Torii, Tsurugaoka Hachiman Shrine in Kamakura
San no Torii, Tsurugaoka Hachiman Shrine in Kamakura
Add to favourites
Share
Item record
About this image
Related
Location
Category
Library Item
Item no
15177
Title
San no Torii, Tsurugaoka Hachiman Shrine in Kamakura
Description
Behind this torii, or gateway, is an arched stone bridge, called Taikobashi ('Drum Bridge') and the main building of the shrine can be seen up the hill. Ten men, women and kids stand in the middle distance and face different directions in order to suggest their ignorance of the photographer. A sign with Japanese writings on it can be seen to the right, probably indicating the entrance of the shrine.
Artist / maker
von Stillfried-Ratenicz, Franz
Date
1881
Size
19.5 x 24 cm
Type
Photograph
Location
Art and Design Library
The San no Torii (literally 'third gate') marks the entrance of the Tsurugaoka Hachiman Shrine in Kamakura, about 50km southwest
of Tokyo. This gate is situated to the north near the entrance of the shrine and is the third one in this area, hence its name. The Tsurugaoka Hachiman Shrine is dedicated to Hachiman, the patron of the Minamoto family and of samurai in general.
This item is part of a collection of prints from the studio of Baron Franz von Stillfried-Ratenicz, an Austrian photographer practising in Japan in the late 1870's. Von Stillfried ran a studio in Yokohama at the same time as his brother Raimund, who was also known as 'Baron Stillfried'. This caused a great deal of confusion with the local residents and visitors to Japan in the Meiji Period, and with art historians today.
This album, which dates from 1879-83, comprises 67 separate mounted prints presented in a lacquerware box. Albums of this kind were popular among foreign tourists, who frequently selected the individual prints they wished to include from the studio's collection. Many of these albumen prints were hand tinted. This was a laborious process for which von Stillfried employed, at the height of his success, a substantial number of Japanese workers. Contrary to many pictures in the Dyer collection, this photograph was not hand tinted.
Exhibitions with this item
Views and Costumes of China & Japan
Other views of this item
Related images
Related subjects
Architecture
>
Architectural features
>
Torii
Places
>
Asia
>
Japan
More like this