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Station 15: Yoshiwara
Kunisada I (Toyokuni III), 1854, Wood cut
Station 15: Yoshiwara
Station 15: Yoshiwara
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Item no
16260
Title
Fifty-three stations by two brushes (Sohitsu gojusantsugi). Station 15: Yoshiwara
Description
In this print, a Buddhist monk is seated on the ground with his legs tucked up into his chest. He stares upwards, perhaps admiring the view of Mount Fuji that appears in Hiroshige's landscape inset. Next to the monk lies his woven hat and bamboo walking stick. The monk has a shaved head and wears a black robe and the straw sandals traditionally worn by travellers and pilgrims.
In the background, Hiroshige presents a view of Mount Fuji viewed through the trunks of towering pine trees. The Hoeido series also depicts Mount Fuji but focuses on the raised pathway that cuts through the fields.
Artist / maker
Kunisada I (Toyokuni III)
Engraver
Hori Take (Yokogawa Takejiro)
Date
1854
Size
36 x 24.8 cm
Type
Wood cut
Location
Art and Design Library
Further artist information:
Utagawa Hiroshige (1797-1858)
Utagawa Kunisada (Toyokuni III, 1786-1865)
Signed:
Hiroshige ga (landscape)
Toyokuni ga (figures)
Censorship seal: Aratame
Further date information:
August 1854, (Tiger year, 8th month)
The subject matter of the 'Fifty-three stations by two brushes' series drew upon the popularity of Hiroshige's celebrated series 'Fifty-three stations of the Tokaido Road' (Tokaido gojusan tsugi no uchi); the earliest editions of which were produced between 1832 and 1834.
Both Kunisada and Hiroshige were pupils of the Utagawa School and collaborated together in order to produce a commercial hit with their 'Fifty-three stations by two brushes'. The series demonstrates Hiroshige's distinction as a landscape artist and Kunisada'a skill as a figurative artist. This series comprises of fifty-six designs (including the title page). Although there were fifty-three post stations, artists traditionally include Nihonbashi (where the Tokaido began) and Kyoto (the road's terminus). The late Edo-period audience who would have collected these lavish prints were able to make connections between the figures and the specific post stations along the Tokaido. Each character's relationship to a locality relies upon subtle references to well known legends and kabuki theatre plots. Hiroshige's original Tokaido series are also referenced in these prints.
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Related images
Related subjects
Clothing and dress
>
Accessories
>
Walking sticks
Clothing and dress
>
Garments
>
Robes
Landscape
>
Land
>
Mountains
People
>
Adults
>
Men
People
>
Religion
>
Monks
Places
>
Asia
>
Japan
Plants
>
Trees
>
Pine trees
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