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Bamboo River, Chapter 44 (Takekawa)
Kunisada I (Toyokuni III), 1853, Wood cut
Bamboo River, Chapter 44 (Takekawa)
Bamboo River, Chapter 44 (Takekawa)
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Item no
16239
Title
Bamboo River, Chapter 44 (Takekawa) from the series "A Modern Collection of Genji in Colour Prints" ("Ima Genji nishiki-e awase")
Description
In this image two women are depicted standing on a stone bridge. One of the women holds up a small child dressed in a red kimono and holding a lucky mallet. The woman has a simple hairstyle and wears a black kimono decorated with flowers. To her left, the other woman crouches down. She is wearing a striped blue and brown kimono with long hanging sleeves (furisode). This style of kimono was traditionally worn by unmarried women. She wears a red obi belt that has been fastened behind her, and wooden clogs (geta) on her feet. The women are in a garden and behind them there is a view of hilly landscape, bamboo plants and an ornamental stone lantern. Gradation printing (bokashi) has been used to add a three-dimensional quality to the bridge. The river and the sky have also been enhanced with this technique.
This image derives from the serial novel or 'gokan', 'A Fake Murasaki and a Rustic Genji' (Nise Murasaki Inaka Genji) written by Ryutei Tanehiko and illustrated by Utagawa Kunisada (Toyokuni III), that was published between 1829-1842. This story reworks elements from the 'Tale of Genji' and transposes the action from the Heian period (794-1185) to the time of the Muromachi era's Onin Wars (1467-1477).
Artist / maker
Kunisada I (Toyokuni III)
Date
1853
Size
27.9 x 19.8 cm
Type
Wood cut
Location
Art and Design Library
Signed: Toyokuni ga
Censors' seals: Aratame
Date seal: Tiger year, 2nd month (1854)
Kyoka poem
Murasaki Shikibu 'Tale of Genji', 'Takekawa', Chapter 44. This chapter focuses on the lives of the Mistress of Staff (To no Chujo and Yugao's daughter), Tamakazura, and her children. Tamakazura's husband, Higekuro, has died leaving her with the heavy responsibility of seeing her two daughters comfortably settled. Both His Majesty the Emperor and the Retired Emperor Reizei express an interest in the older daughter. Because, in her youth, Tamakazura rejected Emperor Reizei's suit in favour of Higekuro, she now feels an obligation to make up for that past disappointment. Tamakazura is reluctant to send her eldest to be with His Majesty because she feels that her daughter would not be able to socially compete with the Kokiden Consort.
Yugiri's son, the Chamberlain Lieutenant, attempts to court Tamakazua's daughters. Kaoru (Onna San no Miya and Kashiwagi's son) is encouraged in his courtship of the daughters. Kaoru is offended when Tamakazura describes him as being a 'stalwart' and decides to be more gallant in the future. Both the Chamberlain Lieutenant and Kaoru enjoy the music played by the ladies of the house. Tamakazura recognizes in Kaoru's playing the touch of To no Chujo (actually Kaoru's grandfather) and finds that his looks remind her of Kashiwagi (Kaoru's real father). At this point in the 'Tale of Genji' everyone takes Kaoru to be Genji and Onna San no Miya's son.
The Chamberlain Lieutenant is disappointed when he realises that Kaoru's company is preferred to his own. However, Tamakazura is determined that her daughters will not be given to commoners.
The eldest daughter joins the Retired Emperor Reizei and the Chamberlain Lieutenant reacts by gloomily threatening to kill himself.
His Majesty expresses his disappointment that the eldest daughter has gone into service elsewhere and demands an explanation from Tamakazura's son, the Captain.
The eldest daughter conceives and gives the Retired Emperor Reizei first a daughter and then a son. This creates tension and rivalry between Tamakazura's daughter and the Kokiden Consort.
Tamakazura gives up her title of Mistress of Staff and sends her younger daughter to court to serve His Majesty. In time, her daughters' former suitors rise in rank and Tamakazura is left wondering whether her daughters would have been happier partnered with Kaoru or the Chamberlain Lieutenant.
Exhibitions with this item
'A Modern Collection of Genji in Colour'
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