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Station 29: Mitsuke
Kunisada I (Toyokuni III), 1854, Wood cut
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Station 29: Mitsuke
Station 29: Mitsuke
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Item no
16275
Title
Fifty-three stations by two brushes (Sohitsu gojusantsugi). Station 29: Mitsuke.
Description
In this print two travellers, a man and a woman, smoke pipes while they rest. The woman is dressed in a blue kimono with a wave inspired design. Her samurai companion has a navy coat and carries a long sword at his waist. Both travellers wear wide brimmed straw hats and straw sandals.
In the background inset, Hiroshige depicts punt boats crossing the Tenryu River. This river flowed swiftly and could not be crossed on foot; this meant that travellers were obliged to wait on the sandbar in the middle of the river for boats to take them across. In Hiroshige's Hoeido series, boatmen are pictured waiting at the sandbar for new passengers to arrive while distant boats are kept busy ferrying travellers across.
Artist / maker
Kunisada I (Toyokuni III)
Engraver
Hori Take (Yokogawa Takejiro)
Date
1854
Size
36 x 24.8 cm
Type
Wood cut
Location
Art and Design Library
Further artist information:
Utagawa Hiroshige (1797-1858)
Utagawa Kunisada (Toyokuni III, 1786-1865)
Signed:
Hiroshige ga (landscape)
Toyokuni ga (figures)
Censorship seal: Aratame
Further date information:
December 1854, (Tiger year, 12th month)
The subject matter of the 'Fifty-three stations by two brushes' series drew upon the popularity of Hiroshige's celebrated series 'Fifty-three stations of the Tokaido Road' (Tokaido gojusan tsugi no uchi); the earliest editions of which were produced between 1832 and 1834.
Both Kunisada and Hiroshige were pupils of the Utagawa School and collaborated together in order to produce a commercial hit with their 'Fifty-three stations by two brushes'. The series demonstrates Hiroshige's distinction as a landscape artist and Kunisada'a skill as a figurative artist. This series comprises of fifty-six designs (including the title page). Although there were fifty-three post stations, artists traditionally include Nihonbashi (where the Tokaido began) and Kyoto (the road's terminus). The late Edo-period audience who would have collected these lavish prints were able to make connections between the figures and the specific post stations along the Tokaido. Each character's relationship to a locality relies upon subtle references to well known legends and kabuki theatre plots. Hiroshige's original Tokaido series are also referenced in these prints.
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Related subjects
Clothing and dress
>
Accessories
>
Hats
Clothing and dress
>
Accessories
>
Pipes
Clothing and dress
>
Garments
>
Kimonos
Landscape
>
Water
>
Rivers and streams
People
>
Adults
>
Men
People
>
Adults
>
Women
Places
>
Asia
>
Japan
Transport
>
Water
>
Boats
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