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The Maiden of the Bridge, Chapter 45 (Hashihime)
Kunisada I (Toyokuni III), 1853, Wood cut
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The Maiden of the Bridge, Chapter 45 (Hashihime)
The Maiden of the Bridge, Chapter 45 (Hashihime)
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Category
Library Item
Item no
16240
Title
The Maiden of the Bridge, Chapter 45 (Hashihime) Chapter 45 from the series "A Modern Collection of Genji in Colour Prints" ("Ima Genji nishiki-e awase")
Description
A young male figure stands in the foreground holding an open fan in one hand. At his waist he wears a sword indicating that he is of samurai class. He wears a blue kimono decorated with blossom and a pair of trousers (hakama) with a kasuri chequered pattern. Behind him two women are seated with their instruments upon a balcony under a full moon. A woman in a purple kimono is positioned next to a koto (Japanese zither) and her companion in the red long sleeved kimono is holding a biwa (Japanese mandolin). This second woman is depicted pointing to the sky with her plectrum. Her red kimono is decorated with a floral pattern. On the floor in front of the women there is a small cup, a dish of food and a long handled kettle placed upon two cushions. The sliding doors of the villa have been drawn back to reveal a view of the sea. The women are probably enjoying a private moon viewing party.
This image derives from the serial novel or 'gokan', 'A Fake Murasaki and a Rustic Genji' (Nise Murasaki Inaka Genji) written by Ryutei Tanehiko and illustrated by Utagawa Kunisada (Toyokuni III), that was published between 1829-1842. This story reworks elements from the 'Tale of Genji' and transposes the action from the Heian period (794-1185) to the time of the Muromachi era's Onin Wars (1467-1477).
Artist / maker
Kunisada I (Toyokuni III)
Date
1853
Size
27.9 x 19.8 cm
Type
Wood cut
Location
Art and Design Library
Signed: Toyokuni ga
Censors' seals: Aratame
Date seal: Tiger year, 2nd month (1854)
Kyoka poem
Murasaki Shikibu 'Tale of Genji', 'Hashihime', Chapter 45. In this chapter the characters of the Eighth Prince (Hachi no Miya) and his two daughters Oigimi and Naka no Kimi are introduced to the reader. The Eighth Prince had lost his wife shortly after the birth of his second daughter. Longing to retire from the word and devote himself to Buddha, the Prince remains living with his daughters in an isolated villa in Uji. The Prince forms a friendship with The Adept, a holy man who lives in the Uji hills and together they discuss Buddhist scriptures.
During a meeting between The Adept and the Retired Emperor Reizei the conversation turns to the subject of the pious Eighth Prince. The Commander (Onna San no Miya and Kashiwagi's son), Kaoru, who is also present decides he would like to meet the Prince. The Eighth Prince is grateful for Kaoru's company and the two men form a friendship, with Kaoru travelling to visit the Prince at his sad residence. Gradually Kaoru becomes curious about the two daughters and he wonders how their characters must have been affected by such a melancholic life. On one occasion Kaoru visits the Prince but upon his arrival he learns that the Prince is on a retreat. Kaoru overhears the music of the two daughters and hides himself so that he can enjoy the enchanting sound of their biwa (Japanese mandolin) and so no koto (Japanese zither). He sends them a message but the women are too embarrassed and inexperienced to answer him. An elder gentlewoman named Ben intercedes and is deeply moved by Kaoru's presence. She explains that her mother, Kojiju, had worked at Sanjo as a nurse to Kashiwagi. Mistress Ben explains to Kaoru that she had become an intimate companion to Kashiwagi and that there is private information that she needs to convey to him. Kaoru wants to learn more about the true circumstances surrounding his birth as he has long suspected that Genji was not his real father. Kaoru exchanges poems with Oigimi, the elder daughter, before leaving. Kaoru, in a meeting with Niou, tells his friend about the sisters at Uji. Niou expresses regret that his rank prevents him from seeking out similar hidden beauties. Kaoru returns to Uji and listens to more of Mistress Ben's story. She entrusts him with a pouch containing the love poems to Onna San no Miya that Kashiwagi had penned shortly before his death. This confirms Kaoru's belief that Kashiwagi was his real father.
Exhibitions with this item
'A Modern Collection of Genji in Colour'
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