Skip to content
Home
Favourites
0
Advanced search
Shopping cart
0
Register
Log in
Images of Edinburgh
Browse map
Area A - Z
Browse by date
Exhibitions
Current exhibition
All exhibitions
Collections
About the collections
Browse by theme
Subject A - Z
The image library for the collections of Edinburgh Libraries and Museums and Galleries
Images of Edinburgh
Browse map
Area A - Z
Browse by date
Exhibitions
Current exhibition
All exhibitions
Collections
About the collections
Browse by theme
Subject A - Z
A tattooed man
von Stillfried-Ratenicz, Franz, 1881, Photograph
A tattooed man
A tattooed man
Add to favourites
Share
Item record
About this image
Related
Location
Category
Library Item
Item no
15117
Title
A tattooed man
Description
A man leans against painted white boards with his back to the camera. He is wearing a loincloth and his hair is worn in the 'chonmage' style (shaven on top and with a topknot at the back). He has a large tattoo on his back coloured with blue and red ink. The image represents a man wearing clothes with complicated geometrical designs and holding a short sword ('wakizashi'). A careful observation of the picture shows that the original tattoo, barely visible under the colour, had a slightly different pattern.
The lines on the wooden boards have been underlined with ink and the background is completely neutral. Only the man's lips and tattoo are coloured.
Artist / maker
von Stillfried-Ratenicz, Franz
Date
1881
Size
24 x 19.5 cm
Type
Photograph
Location
Art and Design Library
This item is part of a collection of prints from the studio of Baron Franz von Stillfried-Ratenicz, an Austrian photographer practising in Japan in the late 1870's. Von Stillfried ran a studio in Yokohama at the same time as his brother Raimund, who was also known as 'Baron Stillfried'. This caused a great deal of confusion with the local residents and visitors to Japan in the Meiji Period, and with art historians today.
This album, which dates from 1879-83, comprises 67 separate mounted prints presented in a lacquerware box. Albums of this kind were popular among foreign tourists, who frequently selected the individual prints they wished to include from the studio's collection. Many of these albumen prints were hand tinted. This was a laborious process for which von Stillfried employed, at the height of his success, a substantial number of Japanese workers. In this particular photograph, the painter chose to colour only the tattoo to emphasise on its intricate design.
Tattoos ('irezumi') were a popular symbol of virility in the Edo era (1603-1868) and were usually visible on labourers, palanquin carriers and firemen. During the Meiji era (1868-1912), the imperial government banned tattoos, considering them as a barbaric tradition. At the same time, Western visitors to Japan and in particular sailors started to get tattooed by local artists and thus spread Japanese tattoos to the West.
The University of Nagasaki owns three copies of this photograph with slightly different hand-colouring. Nude Japanese men with tattooed backs must have been an impressive sight to Western travellers to Japan. They became a popular design and their pictures were taken by many different photographers, which is why these images are difficult to attribute today. There are two other photographs featuring tattooed men in this particular album.
The scene the tattoo depicts may be based on a design by Utagawa Kuniyoshi (1798-1861), a famous print-maker and painter. His series untitled 'One hundred and eight heroes of the popular Suikoden all told', inspired by a famous Chinese tale, served as model for many tattoos during this period.
Exhibitions with this item
Views and Costumes of China & Japan
Other views of this item
Related images
Related subjects
Clothing and dress
>
Accessories
>
Hairstyles
Clothing and dress
>
Accessories
>
Tattoos
People
>
Adults
>
Men
Places
>
Asia
>
Japan
More like this