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20686 - Happy Valley (II)
Happy Valley (II)
Flannigan, Moyna, 1999, Oil painting
Item Record
About this image
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Category
Museums & Galleries Item
Item No
20686
Title
Happy Valley (II)
Description
A figurative work of a contemporary female figure. An elderly woman with grey hair faces the viewer. Her appearance is that of a lady from the middle class milieu of Edinburgh. Standing facing out from the painting, she stands in trainers and jogging bottoms. Rather absurdly, she is wearing a Russian Lynx Belly Coat, easily identifiable with its white fur and black spots. A boxer dog stands alongside. Both figures are placed in an abstract space painted in rather surreal colours.
Artist / Maker
Flannigan, Moyna
Engraver
Date
1999
Size
200.00 x 135.00 cm
Type
Oil painting
Location
City Art Centre
Accession Number
CAC2002/12
Moyna Flannigan was born in Scotland in 1963. She studied at Edinburgh College of Art 1981-85 and Yale University School of Art 1985-87. She was a Lecturer in Painting at Glasgow School of Art for 10 years until 2005. One of two paintings of fictional portraits for a City Art Centre exhibition, 'Locale' in 1999; they are typical of her work, based on wry observation of contemporary life. They are made without the use of models, working directly onto the canvas, from memory and experience. She gives each work a stamp of individuality, so that we imagine that we know the woman in trainers, tracksuit and fur coat walking the dog. Flannigan's use of colour is neither natural nor tonal, chosen to heighten our emotional response. In her use of harsh light and colour, she appears to have been influenced by contemporary video artists and photographers. The flat technique of painting can also be seen to draw on the Abstract Expressionist work of New York based painters in the 1950's, giving a sense of space through colour. By permission of Moyna Flannigan
Moyna Flannigan was born in Scotland in 1963. She studied at Edinburgh College of Art 1981-85 and Yale University School of Art 1985-87. She was a Lecturer in Painting at Glasgow School of Art for 10 years until 2005. One of two paintings of fictional portraits for a City Art Centre exhibition, 'Locale' in 1999; they are typical of her work, based on wry observation of contemporary life. They are made without the use of models, working directly onto the canvas, from memory and experience. She gives each work a stamp of individuality, so that we imagine that we know the woman in trainers, tracksuit and fur coat walking the dog. Flannigan's use of colour is neither natural nor tonal, chosen to heighten our emotional response. In her use of harsh light and colour, she appears to have been influenced by contemporary video artists and photographers. The flat technique of painting can also be seen to draw on the Abstract Expressionist work of New York based painters in the 1950's, giving a sense of space through colour.
By permission of Moyna Flannigan
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